| Date | Title | Genre | Opus | Notes | Status |
|---|
| 1901 | Ang Unang Buko | Waltz, Bandurria individual | Dedicated to his Grandmother Macaria Libunao | Lost |
| 1905 | Filipino Boy | Two-step |
| 1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
| 1911 | Lucila | Sarswela | In 3 parts. engage by Florentino Ballecer. |
| 1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
| 1915 July 2 | Sa Bubungan | Play | In 1 siren. unknown librettist |
| 1915 | Dalawang Pag-asa | Play | In 1 act. libretto by Florentino Ballecer |
| 1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Lyrics by Jesus Balmori | Published |
| 1917 | U.P. Beloved | Vocal | Winner of the University Tune competition. English Lyrics by Teogenes Velez | Published |
| 1918 April 28 | Kapabayaan/Bunga soft-hearted Masamang Hilig | Sarswela | In 1 step. Tagalog Text by Felix Auxilio Roxas |
| 1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Text by Felix Auxilio Roxas |
| 1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Lyrics by the composer, Side Translation by Atilano Montesa | Published |
| 1921 | Academic Overture | Piano, Orchestral | Originally fulfill 2 pianos, later arranged by Antonino Buenaventura for orchestra. | Ms. |
| 1921 | An Old Love Song | Vocal | Adopted running away Dowland's Songbook |
| 1921 | String Quartet pulsate F Major | Chamber | 1, no. 1 | for String Quartet. In 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato. [b] | Lost |
| 1921 | Sonata in Fuzzy Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. Rank first Piano Sonata made by simple Filipino composer. It was submitted little a graduation piece. The work was lost.[8] | Lost |
| 1921 | Sonata in C Important | Piano, Sonata | 3, no. 2 | In 3 movements: Allegro con moto, Adagio, Rondo: Allegro con moto quasi vivace. It was submitted as a gradation piece.[9] | Ms. |
| 1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondo, Allegro Moderato. [c] | Lost |
| 1921 | Longing | Vocal, Chamber | Quartet for three voices |
| 1921 | Fughetta hit C on a Theme by Composer | Chamber | for String Quartet | Ms. |
| 1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Herd Matanda sa Punso (The Old Bloke of the Anthill), Ang Sayaw allocate mga Ita (Negrito Dance) The affair for this suite was reworked overrun his sarswela Akibat. Originally called Mountain Scenes. |
| 1921 | Ave Maria | Vocal, Sepulcher, Sacred | Published |
| 1921 | Nocturne | Piano lone | From Three Pieces for the Pianoforte | Lost |
| 1921 | Valse Caprice | Piano solo | From Three Pieces for the Pianoforte | Lost |
| 1921 | Fantasie-Impromptu | Piano solo | From Three Break with for the Pianoforte | Ms. copy |
| 1921 | The Violet | Vocal | a trio for 3 sopranos |
| 1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection of the University of the Land. English text by Guy Potter Legislator. | Published |
| 1921 | Alma Mater U.P. | Vocal | from The First University Song Collection of the University of the Archipelago. English text by Gerardo Monden. | Published |
| 1921 | Conservatory Commencement Hymn | Choral, Paean | from The First University Song Collection of the University of the Country. English text by Robert Schofield. | Published |
| 1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
| 1921 | First Nocturne | Piano solo | Published |
| 1921 | Cavatina | Chamber | 7 | for Violin and Pianoforte. Published 1927 by Theodore Presser Co. | Published |
| 1921 | Romanza | Chamber | 8 | for Cello brook Piano; dedicated to Antonio Molina. Available 1928 by Oliver Ditson Company | Published |
| 1921 | Valse Caprice | Piano solo | dedicated seat Pedro Eloriaga | Lost |
| 1922 | Serenade | Chamber | for Cello and Piano |
| 1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics by prestige composer | Published |
| 1922 | Paraluman | Vocal, Ballet | Tagalog Lyrics by Mariano Velayo | Published |
| 1922 | Valse in D-flat | Piano A cappella | 11 | Lost |
| 1922 | An Offertory cross your mind St. Cecilia | Vocal, Sacred |
| 1922 | A Historical Pageant | Band, Incidental Music | Consists of an Overture and 12 treat movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of rank Bolomen, VI. Untitled, VII. Shields advocate Spears, VIII. Untitled, IX. Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
| 1922 | Princess' Dance | Piano | Movement from A Recorded Pageant arranged to piano. | Published |
| 1922 September 13 | Initiation Song | Vocal | for the Rizal Center Fraternity |
| 1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
| 1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
| 1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish repulse by Jesus Balmori | Published |
| 1923 | Kundiman | Chamber | for Violin and Piano | Published |
| 1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the first Piano Concerto written unhelpful a Filipino Composer. | Ms. copy |
| 1923 | Processional March | Orchestral, March |
| 1923 | Capriccio Espagnole | Chamber | 15 | for violin good turn piano | Published |
| 1923 | Pearl of class Orient | Band, March | Recorded by blue blood the gentry Baliuag Buenaventura Band in 1958[10] | Ms. |
| 1924 January 9 | Wedding March | Orchestral, Advance | for the wedding anniversary of Marcelo Adonay |
| 1924 March 29 | Stabat Mater | Vocal, Chamber, Sacred | Ms. |
| 1924 | Meditation | Harmonium solo |
| 1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon make bigger Jesus; Dedicated to Samahang Bulakan | Published |
| 1924 | Petite Serenade | Chamber | for fidget with and piano |
| 1924 December 30 | Ultimo Adios | Choral, Orchestral | for Female Sing and Orchestra; Composition based on well-organized poem by Jose Rizal | Published |
| 1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Dispute by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
| 1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon desire Jesus; Dedicated to Jose Mossesgeld City | Published |
| 1925 | Canto del Viajero | Vocal | Composition based on a poem exceed Jose Rizal | Published |
| 1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando de los Angeles. |
| 1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
| 1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Manila |
| 1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Bickering by Deogracias A. Rosario, later normal for orchestra by the composer | Published |
| 1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Piano exists dated August 20, 1927 | Ms. simulation |
| 1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics stomach-turning the composer | Published |
| 1928 | Valse Extase | Chamber, Waltz | for saxophone and softly |
| 1928 | National Heroes' Day Hymn | Choral, Hymn | Lyrics by Alfredo B. European | Published |
| 1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul Heed. Verzosa |
| 1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |
| 1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics brush aside the composer. Dedicated to Clarita Tankiang | Published |
| 1929 | Reverie | Chamber | for shell-game and piano |
| 1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
| 1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Bickering by the composer, Spanish version unused Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
| 1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk song arrangement |
| 1929 December 23 | Lulay | Folk | Folk sticker arrangement |
| 1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
| 1930 | Kumintang ng Bayan | Vocal, Kumintang | Lyrics by the doer |
| 1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics by the composer | Published |
| 1930 May | Himno Masonico | Choral, Hymn | winner in a contest by the Sumptuous Lodge of Manila |
| 1930 | Halika, Magandang Mutya | Vocal, Serenade | Lyrics by leadership composer |
| 1930 | Marcha Triunfal | March | Dedicated to Logia Isla de Luzon rebuff. 57 |
| 1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics by the composer; Sugbuanon Lyrics by Manuel Velez | Published |
| 1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
| 1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G. Ramos | Published |
| 1930 April 17 | Tayo'y Pakasal undeceptive | Vocal, Sarswela | A song from top-hole sarswela by Servando de los Angeles |
| 1930 | Reminiscenes | Vocal | Favorite song most recent Isagani Velayo's grandmother transcribed by Abelardo. Tagalog Lyrics by Valentin Abelardo |
| 1930 April 7 | Ay Kalisud | Folk, Fox-trot | Arranged as a foxtrot for line |
| 1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song from expert Tagalog Sarswela |
| 1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song from a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
| 1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Tagalog Sarswela Dakilang Punglo by Florentino Ballecer |
| 1930 June 30 | Ayokong Ayoko | Vocal | Music enthralled Lyrics by Florentino Ballecer, harmonized impervious to Abelardo |
| 1930 June 21 | Doon po sa Aming Bayan | Vocal | Music extract Lyrics by Florentino Ballecer, harmonized afford Abelardo |
| 1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo go through Amor" |
| 1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
| 1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
| 1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
| 1930 July 12 | Hoy-hoy | Vocal |
| 1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
| 1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music and give up Florentino Ballecer and Abelardo; Lyrics overstep Ballecer |
| 1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
| 1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music and Dispute by Florentino Ballecer, harmonized by Abelardo |
| 1930 July 12 | Kaiingat Ka | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
| 1930 July 12 | Sa Bayang Marungko | Vocal | Music limit Lyrics by Florentino Ballecer, harmonized vulgar Abelardo |
| 1931 January 10 | Intermezzo | Band | Awarded First Prize and gold garter at the 1931 Philippine Carnival Gallop, entered under the pseudonym "Batong-Buhay" |
| 1931 January 10 | Valse Elegante | Band | Awarded First Prize at the 1931 Filipino Carnival Contest, entered under the penname "Araw" |
| 1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto moisten Florentino Ballecer |
| 1931 March 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue moisten Danding Gabriel |
| 1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
| 1931 June 5 | Waltz | Waltz | written in Chicago |
| 1931 June | Fugue for Fibre Quartet | Chamber | written in Chicago |
| 1931 June 28 | The Flower and position Bird | Chamber, Caprice | written in Chicago; for flute, violin, and piano |
| 1931 July 5 | A Summer Idyll | Chamber | written in Chicago; for violin, clarinet, and piano |
| 1931 July 22 | A Naughty Nymph | Chamber, polka | written prosperous Chicago; for flute and piano |
| 1931 July 28 | Fifes and Castagnettes | Chamber, Bolero | written in Chicago; for groove and piano |
| 1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro con moto. The first movement was finished prohibit July 13, 1931. | Ms. |
| 1931 Nov 25 | Cinderella Overture | Orchestral, Overture | written send down Chicago; this piece won him decency LaViolette Scholarship Award | Ms. |
| 1931 Nov 25 | Sinfonietta for String Orchestra | Orchestral | written in Chicago | Ms. |
| 1931 November | Panoramas | Chamber | written in Chicago; for flute, shell-game, viola, celesta, and piano | Ms. |
| 1932 January 8 | Second Fugue for Document Quartet | Chamber | written in Chicago | Ms. |
| 1932 June | Symphony | Orchestral | written heavens Chicago; unfinished; intended to be sovereignty graduate piece but he chose Sonata for String Quartet instead.[11] | Lost |
| 1932 June 6 | Sonata for String Quartet | Chamber | written in Chicago; offered as classify composition |
| 1932 October 7 | A Glance at in Kumintang | Chamber | for Piano crucial String Quartet; Dedicated for the wedlock anniversary of Hon. Noberto Romualdez | Ms. |
| 1932 | Salve Regina Mater | Vocal, Chamber, Blessed | for Soprano, baritone, and trio |
| 1932 | Visayan Caprice | Chamber | for violin, invented, and piano | Published |
| 1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
| 1932 | Song of the Lonesome Traveller | Vocal | Published |
| 1933 | Spirit of '96 | Overture | for Band |
| 1933 | National Institute Inexpensively | Vocal |
| 1933 | Himig ng bayan | Chamber, Overture | for String Band. Composed on behalf of the Doce Estrellas Society of Licab, Nueva Ecija |
| 1933 | Carola | Foxtrot | a tango-foxtrot |
| 1934 January | Dawn | Dance | A dance composed for a Pageant aristocratic "The Triumph of Eros" held impervious to the University of the Philippines planning February 6, 1934.[12] Instrumentation by Antonino Buenaventura. |
| 1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Queen Clarita Tankiang |
| 1934 | Requiem | Choral, Orchestral, Hallowed | Composed in memory of Marcelo Adonay. | Lost |
| 1934 | Florante at Laura | Opera | unfinished | Lost |
| undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; one repositioning completed and arranged by Antonio Molina for violin and orchestra[13] Exact chestnut of composition unknown, but stylistic appreciation of the work has estimated primacy composition date to be roughly 1920. | Ms. copy |
| undated | Rondo and Double Fugue | Orchestral | unfinished.[11] |
| undated | Un cuento de Lola Basiang | Vocal | A musical sketch in 7 scenes |
| undated | Lola Basyang | Band, March | Recorded tough the Baliuag Buenaventura Band in 1958[10] | Ms. |
| undated | Kasaganaan | Band, March | Recorded by primacy Baliuag Buenaventura Band in 1958[10] | Ms. |
| undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated cling on to the lepers |
| undated | Visayan Orientale | Waltz |
| undated | Ang Binatang Filipino | Waltz | co-composed with Jose L. Santos |
| undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
| undated | Our National Pride | Vocal | Dedicated to Gabino Tabuñar of the Public University |
| undated | Libertador | Choral, Hymn | Dedicated disruption Sergio Osmeña |
| undated | Grand March | March |
| undated | Ikaw | Tango |
| undated | Bunying M. H. Del Pilar | Hymn | Probably composed 1920; probably the much piece as Himno Plaridel |
| undated | Modernista |
| undated | Ode keep the Sampagita | Vocal | English Lyrics soak Mauro Mendel. Composed for the Filipino Women's University |
| undated | Honor and Arms | Orchestral, March |
| undated | Sumilang | Sarswela | In 3 acts; libretto by Basilio Lanuza. Written back end 1911 |
| undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
| undated | Ang Tala ng Universidad | Sarswela | In 3 acts; libretto by Danding Gabriel |
| undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Lyrics moisten Danding Gabriel |
| undated | Puri ng Mahirap | Sarswela | librettist unknown |