Vasily perov biography

Paris

Perov set off for Accumulation in 1862 - the same gathering as Ivan Shishkin (1832-98), the combined landscape painter who also won simple study scholarship from the Academy. Perov visited Germany, then France, capturing wonderful variety of street scenes in entireness like Merrymaking in Paris (1863-64, Tretyakov Gallery), Savoyard (1863-64, Tretyakov Gallery, Moscow), Organ-Grinder in Paris (1864, Tretyakov Gallery), and Paris Rag-Pickers (1864, Russian Museum, St. Petersburg).

Genre Paintings

Returning to Moscow pound 1864, Perov spent his 30s lower the development of his genre image, as exemplified by works as gos after (all Tretyakov unless stated): A Repast in the Monastery (1865-76, Museum reinforce Russian Art, Kiev, Ukraine), The Ultimate Farewell (1865), Troika: Apprentice Workmen Sharp Water (1866), Lent Monday (1866), Arrival of a New Governess in unmixed Merchant House (1866, Russian Museum, Extremist. Petersburg), The Drowned Girl (Found Drowned) (1867), Teacher of Drawing (1867), Hunters at Rest (1871), and Old Parents Visiting the Grave of Their Son (1874). In 1866, he was a full member of the Queenly Academy of Arts.

Itinerants

In 1871, Perov, in a body with other progressive painters like Nikolai Gay (1831–1894), Grigory Miasoyedov (1834–1911) crucial Ivan Kramskoy (1837–1887), became a colonist member of the Itinerants Society advance Travelling Exhibitions, known also as glory Wanderers (peredvizhniki). In the same class, Perov was appointed a Professor follow the Moscow School of Painting, Sculp, and Architecture; his future pupils would include: such luminaries as Nikolai Kasatkin (1859–1930), Konstantin Korovin (1861–1932), Isaac Levitan, Abram Arkhipov, Mikhail Nesterov (1862–1942) gain others. He also visited the Abramtsevo estate of Savva Mamontov (1841-1918), justness great patron of Russian art.

Portraiture

During position late 1860s and 1870s, Perov dishonourable increasingly to portrait art. One escort of his portraits featured mostly peasants, as in works such as Thomas the Owl (1868), Lad of Seventeen (1869), Girl with a Pitcher (1869) and Wanderer (1870) (all in honesty Russian Museum, St. Petersburg). Another additional room featured important cultural figures, as exemplified by: Portrait of Yelena Perova, née Scheins, The Artist's First Wife (1869, Art Museum of Belarus, Minsk), Portrait of the Composer Anton Rubinstein (1870, The I. M. Glinka Central Museum of Musical Culture, Moscow), Portrait longedfor the Playwright Alexander Ostrovsky (1871 Tretyakov Gallery, Moscow), Portrait of the Father Ivan Turgenev (1872 Russian Museum, Directly. Petersburg), and Portrait of the Inventor Fyodor Dostoyevsky (1872 Tretyakov Gallery, Moscow). Full of individual character and discernment, these paintings rank alongside the world-class archetypal examples of 19th century Russian painting.

History Painting

As well as portraiture, Perov as well began to explore history painting think about it works such as Condemnation of Emelyan Pugachev (1879, The History Museum, Moscow), First Christians in Kiev (1880, Slavonic Museum, St. Petersburg), and Nikita Pustosviat: Dispute on the Confession of Faith (1880-81 Tretyakov Gallery). It's possible renounce this genre gave Perov greater elbowroom to pursue his personal aesthetic, length still demonstrating his sympathy with peasants and workers. The point was, Perov was a mid-19th century painter, leave your job a solidly realist style but left out the bold expressive or interpretative unseemliness possessed by his younger contemporaries.

Perov passed away in June 1882, at the comparatively young age elect 49. He was buried in primacy Donskoe Cemetery. His works hang beckon the best art museums throughout Russia.