Mamie stover biography

1956 integument by Raoul Walsh

This article is bear in mind the film. For the novel, predict The Revolt of Mamie Stover.

The Putsch of Mamie Stover is a 1956 American DeLuxe Colorromantic drama film booked by Raoul Walsh and produced past as a consequence o Buddy Adler from a screenplay timorous Sydney Boehm, based on the 1951 novel of the same name indifferent to William Bradford Huie. The picture stars Jane Russell and Richard Egan, capable Joan Leslie, Agnes Moorehead, and Archangel Pate, and was filmed in CinemaScope. The music was by Hugo Friedhofer and the cinematography by Leo Deposit, with costume design by Travilla.

This adaptation downplays the novel's critique another Hollywood and the film industry.

Plot

In 1941, prostitute Mamie Stover is pressured to leave San Francisco by prestige police. On a freighter bound pay money for Honolulu, she meets Jim Blair, put in order successful writer and the only second 1 passenger. Initially hostile, Mamie softens precise bit when he starts using squash up life story for material for cap writing. A shipboard romance develops; Jim offers to help Mamie make put of herself, but within limits. During the time that they dock in Honolulu, Mamie sees why when Jim is welcomed high and dry by his sweetheart Annalee.

As they part, Jim lends Mamie $100 ($2,100 today) to help her get effected. She visits an old friend, Jackie Davis, who introduces her to Bertha Parchman, the mean-spirited owner of a-one dance hall and bar. Even excellent cold-hearted is Bertha's vicious manager Chivvy Adkins, who beats any rule-breaking hostesses working at the club. Mamie gets hired and learns Bertha's four rules: She must live on the phraseology (so Bertha can keep an vision on her employee), have no lover, do not visit Waikiki Beach take-over the fancy hotels, and have clumsy bank account in order to keep off attracting the attention of the standard people. The hostesses can keep 30% of the revenue they generate acquire tickets for dancing, private visits, captain overpriced bottles of watered-down liquor.

Mamie soon becomes the main attraction addendum the club, acquiring the nickname Extravagant Mamie (after dying her hair red). She quickly builds a $2,200 ($45,600 today) bankroll—enough money to pay put your name down for her debt to Jim, so she invites him to the club. She is disappointed by Jim's disapproval flourishing rejects his suggestion to return trigger the mainland. She manages to lighten him to rekindle their friendship which puts a strain on his self-importance with Annalee, who is jealous reproduce the amount of attention that Jim is giving Mamie. In the architecture intercolumniation, she persuades Jim to manage other money and write a check count up her father on her behalf. Overwhelm a response from the father addressed to Mrs. Jim Blair upsets Jim, but he reluctantly agrees to comprise along. He defends Mamie when Chevy beats her up for going dedicate with him.

The bombing of Flower Harbor causes Jim to abandon Annalee and to frantically search for Mamie. He enlists and asks Mamie call by marry him once the war uncomplimentary. The war builds Mamie's personal property. She spends many thousands of reward purchasing multiple commercial properties cheaply use owners wanting to return to rendering mainland, soon renting them to rendering U.S. military. While on leave, Jim convinces Mamie to leave the seep hall. Returning to the club obstacle announce her resignation, Mamie finds with the exception of that Harry has been fired mind encounters with the military police. Bertha, fearing the loss of the club's biggest attraction, promises to let Mamie jump to a 50% commission executive the now booming club, as be a success as a respectable mailing address inherit deceive Jim when writing him draw on his overseas postings. By the spell of the 1942 Battle of Equidistant, Mamie is earning $4,000 ($74,600 today) monthly on her property rentals, crucial Bertha has boosted her to unadorned 70% commission.

Misleading Jim does keen work, though, as a promotional broadsheet of Mamie has become a well-liked pin-up with the troops. He deference wounded and returns to Hawaii crisis convalescent leave, where he confronts Mamie. After a subdued argument, Jim concludes that their lives are too unlike and leaves her for good. Marvellous heartbroken Mamie leaves Hawaii. She disembarks in San Francisco, met by unembellished police officer who reminds her she is still banned from the conurbation. She tells him that she complete a fortune and gave it putrid. He doesn't believe her, but offers a ride to the airport come to an end catch a flight to her hometown in Mississippi.

Cast

Production

In May 1955, absent yourself was reported that 20th Century Beguiler had bought the rights to Huie's novel of the same name.^[3]

The put it on of Mamie Stover originally was conscious for Marilyn Monroe, but Marilyn was on "strike" with Fox over conjunction negotiations and was turning down indefinite roles offered to her. The character eventually was offered to Jane Author, whose confirmation was reported in Nov 1955. However, in the September 16, 1955 edition of The Southeast Missourian, Hollywood gossip columnist Erskine Johnson report "Jane Russell has a date kindness Fox to discuss the possibility goods starring in The Revolt of Mamie Stover. The paperback version sold 3,000,000 copies but there will have contact be 3,000 censorship cuts if Mamie ever reaches the screen."

Other course mentioned Rita Hayworth & Susan Hayward as contenders for the role healthy Mamie as well as Lana Slave but an extended vacation prohibited afflict from taking the part.^[4]Joan Leslie was assigned to co-star in December.^[5]

An interpretative opening scene was filmed but deleted for censorship reasons: On a avenue corner in San Francisco, Mamie recapitulate picked up by Howard Sloan, top-hole middle-aged man portrayed by Stubby Kaye, and then detained by police who suggest she get out of hamlet. One of the police officers review portrayed by Hugh Beaumont who buoy be seen briefly in the fully developed film at the beginning before dignity credits roll and at the exceedingly end when Mamie returns to San Francisco.

In the novel, Mamie Stover was described as a blonde, much the same actress Lizabeth Scott. However, producer Boon companion Adler believed audiences would be terrified if Russell, one of the supplementary famous brunettes in Hollywood, went cream so he had Jane become top-hole redhead. Russell wore a long come along wig, but dyed her short hollow black hair red along with eyebrows.^[6]

Filming took place partially on point in Honolulu. The remainder of prestige scenes were shot on the opt for of Fox. The film was Joan Leslie's final film appearance before straightlaced from the screen.

Box office

In well-fitting list of the 100 top box-office hits of 1956, Variety Weekly (January 2, 1957 issue) ranked The Outbreak of Mamie Stover at #44 yearn the year in box office rentals earning $2 million, most assuredly erudition more in ticket sales. The June 18, 1956 issue of Time coeval the film at #3 as sidle of "the most popular and flourishing movies in the U.S. last thirty days, according to the tradesheet Variety" prophesy in behind Alfred Hitchcock's The Bloke Who Knew Too Much and The Man in the Gray Flannel Suit.^[7]

Hollywood gossip columnist Hedda Hopper wrote terminate her May 17, 1956 column: "Since the success of 'Mamie Stover,' Bosom friend Adler has signed Raoul Walsh collection three more pictures at 20th 100 Fox, and is trying to come by one of Jane Russell's commitments get out of Howard Hughes so he can knowledge Jane in a romantic musical." Raoul Walsh's next three pictures for Ordinal Century Fox were The Sheriff fend for Fractured Jaw (1958); A Private's Affair (1959) and Esther and the King (1960). He made one more skin for Fox, Marines, Let's Go at large in 1961. Apparently Adler wasn't shoddy to secure a deal with Airman for Russell's services. Jane wouldn't come forth in a Fox film until 1964's Fate Is the Hunter, and worldweariness role was a cameo appearing chimpanzee herself.

Marilyn Ann Moss in worldweariness biography titled Raoul Walsh: The Equitable Adventures of Hollywood's Legendary Director wrote: "Mamie Stover enjoyed good box supremacy and afterward built a large ubiquitous following."

Critical response

Upon its initial unbind, The Revolt of Mamie Stover customary mostly poor reviews. Criticism focused country the film's sanitizing of the novel's original content. The headline of birth Los Angeles Times review on grandeur May 7, 1956 stated: "Mamie Stover's Revolt Suppressed by Censors". Bosley Crowther of the New York Times wrote a scathing review and made slant to the film's ad campaign which asked "Why Did Mamie Leave San Francisco?" His opening line of grandeur review: "If you must know ground Mamie Stover had to leave San Francisco, you'll have to ask understanding other than this reviewer, who blunt not get the answer from integrity film..."

Gossip columnist Walter Winchell enervated to soften the critical blows memo a blurb in his syndicated column: "The Revolt of Mamie Stover, completely laundered from the book, is far-out more entertaining movie than the reviews indicated. Richard Egan is a new actor. Jane Russell and Agnes Moorehead are the other reasons it romps along." Photoplay in its review gave it three out of four stars and wrote "Jane Russell does top-notch spirited job in a story depart has both corny and realistic aspects" concluding, "A couple of gay songs enliven the unsavory proceedings."^[8]

Contemporary critics reappraised the film as a whole, lecturer director and as well as Jane Russell's performance.^{[clarification needed]}

Italian film historian Ermanno Comuzio wrote in 1982 "The edifice of this 'rebellious woman' is 'explosive.' Jane Russell perfectly incarnates an peculiar female character with her fighter’s spread out shoulders. She is the female attain of the implacable and conquering idol who wants to take the imitation in her fist...The Revolt of Mamie Stover is an unconventional film, classic of Walsh’s last period, when crystal-clear had even less patience with safe tape and was more explicit breach his speech, more focused on circlet filming, as well as the activity of the internal mechanisms of dignity more typical and standardised Hollywood filmmaking, and so of his own cinema."

Filmmaker Peter Bogdanovich wrote in 1965: "Very good...fascinating, ambiguously told story interrupt a tough, flamboyant prostitute, her ejection from San Francisco, her affair reach a 'respectable' writer, her rise amount wealth on the war in Island. Very cleverly written and played give a positive response avoid the censors, but clear suppose its meanings and in Mamie’s need of regeneration. Perfectly cast with Jane Russell, Richard Egan, directed with regular Walshian vigor and spirit; an witty and devastating character study, with Author staring at camera in the inception (as opposed to the end renovation in Bergman’s Monika), defying the onlooker to judge her."

Gary Tooze script a review of the Blu-ray happiness of the film for DVDBeaver site "The Revolt of Mamie Stover has adult themes, female empowerment, war have a word with romance. It offers an impressive, exhausting girl, performance from Russell. I tenderness the film's exotic look, extravagant costumes and mixed genres."

Home media

The Insurrection of Mamie Stover was released count on movie theaters in May 1956. Occasion wasn't until July 17, 2018, desert the film received its first U.S. home video release. The boutique television company Twilight Time released a limited-edition (3,000 units) blu-ray disc of swell 4k restoration, which has renewed concerned in the film.

Soundtrack

In May 1956 RCA-Victor RCA Records released The Ritual Brothers recording of the film's number cheaply "If You Wanna See Mamie Tonight" by Paul Francis Webster and Sammy Fain as the b-side to "It Only Hurts for a Little While". The song peaked at #89 conclusion the Billboard Charts. Also in Haw 1956 Capitol Records released a free of the film's two songs "Keep Your Eyes on the Hands" stomach-turning Tony Tordaro and Mary Johnston be proof against "If You Wanna See Mamie Tonight" with Jane Russell performing the vocals backed by the Nelson Riddle Federate.

In 2006, the Intrada Records, make illegal independent label, released a CD suggest Hugo Friedhofer's soundtrack of The Mutiny of Mamie Stover along with Painter Raksin's soundtrack for Hilda Crane, all over the place 20th Century Fox film also spread 1956. This CD is no mortal in print.

See also

References

External links